Ikki Mitsuhashi

Japanese photographer · Tokyo

Ikki Mitsuhashi belongs to the generation of Japanese photographers who learned to see at the drawing table. He spent the loudest decade of Japanese advertising as a designer and art director, then turned to photography in 1972 and never turned back.

Two pink-and-cream anemones with dark centres in a tall square glass vase on a dark tabletop against a cream wallA cluster of green papayas crowning a plain white column, a few leaves opening above them, against a pale green wallWhite tulips resting on the shoulder of a frosted glass sphere, in black and white

Japanese gallery art · Luxury nature photography · Japanese still-life photography · Tropical botanicals · Limited editions, signed by the artist

First release · Tropical Garden

Quiet things, held up to the light

One summer, on an island in Indonesia, Ikki Mitsuhashi turned his camera on plants of his own invention — flowers, leaves, fruit, grown nowhere but in the tropical forest of his imagination. What emerged was Tropical Garden, a body of work wrapped in a light entirely its own.

Fierce at times, wistful at others, these images now speak to us again, quietly, after twenty years.

Three ways to see the work

Three prints, made and photographed

Each edition is printed to order on archival cotton paper by a Tokyo fine-art lab, numbered, and accompanied by a bilingual certificate. The photographs below are the actual test prints.

Three framed prints on a walnut table in front of a rain-washed garden window
Two prints hung gallery-style on wiresTwo framed prints against a brick wall

Two lives, angled toward the same light, asking nothing more of each other than to remain nearby.

— from Leaning Together

The Room · our digital gallery

Walk through the Room

One room, four walls, four photographs, hung at the height you would see them in a gallery. Turn slowly, step closer, and take your time with each picture before you choose one to live with.

Enter the Room →
Pink tulips bowing their heads in a rounded, half-translucent frosted glass vase against a pale grey wallThree large glossy leaves and a single green fruit on a terracotta block, lit from the side, casting a soft shadow on a warm wallTwo pink-and-cream anemones with dark centres in a tall square glass vase on a dark tabletop against a cream wallA jackfruit standing on its end with a plumeria branch and two white flowers rising from it, in black and white

How an edition is made

Printed to order

Pigment giclée on your choice of three fine-art papers, by a professional Tokyo lab.

Numbered honestly

Edition numbers continue the artist's original ledger. Nothing is restarted.

Signed, if you wish

Hand-signed by the artist while his health allows, or left unsigned — your choice.

Certified

A bilingual certificate of authenticity travels with every print.

From the journal

All journal articles →

Essays on Japanese photography, the photobooks, the cameras and the making of each print.

Questions & inquiries

Ask us anything

A question about a print, a size or paper, framing, licensing an image, or several prints for a home, hotel or office — write here and it comes straight to the studio. We reply within two working days.

Choosing for a particular wall? Send a photo for a free art consultation →

We use your details only to reply to you.

Membership

Four circles, none of them paid for

Membership grows with the collection you build: early sight of each monthly print, and a standing discount from 2% to 10%.

  • Letters 便りA letter, once a month.2%
  • Patrons 後援You saw it first.4%
  • Collectors' Circle 蒐集の会The artist writes back.7%
  • Ikki Club 一樹クラブFor those who hang them for a living.10%

See membership and perks →