Choosing a size and a paper

Every work here can be ordered at four sizes and on three papers. The choice is simpler than it looks.

The four sizes

• S — 297 × 420 mm, from ¥27,000
• M — 364 × 515 mm, from ¥33,000
• L — 420 × 594 mm, from ¥39,000
• XL — 18 × 24 in (457 × 610 mm), from ¥45,000

Prices are per edition and rise 7% after every 10 prints of that edition are sold, so the earliest numbers cost least.

Each sheet has fixed side margins — 20, 25, 30 and 35 mm respectively — and the image is always centred between them. Top and bottom are balanced for each picture, with a deeper space below for the signature and edition number.

What a larger sheet gives you

This is worth saying plainly, because it is not what most people expect. A photograph can only be printed as large as its master file allows at full quality, and the studio never enlarges a picture beyond that, nor crops it to fill a sheet.

So at S, most works are scaled down slightly to fit the narrower sheet. At M, L and XL, most works are printed at their full native size — roughly 31 × 40 cm — and the larger sheets give that image more paper around it: a wider, quieter margin. That is how many photographers prefer a print to be seen, and it is what makes an L or XL feel substantial on a wall.

Each work's page shows the exact image area and margins for every size before you buy.

Which size for which wall

As a rough guide: S suits a desk, a shelf, or a narrow wall between doors. M is the most versatile and continues the artist's own original editions. L holds its own over a sofa or a sideboard. XL is for a wall you want to give entirely to one picture — and it is a standard frame size in most countries.

The three papers

• Canson Edition Etching Rag — 310 gsm, matte, medium-rough, white. The classic etching surface.
• Hahnemühle German Etching / Photo Rag — one of two Hahnemühle cotton sheets, depending on the supplier's stock: German Etching (310 gsm, matte, medium-rough, white), a little rougher and warmer, or Photo Rag (305 gsm, matte, smooth, white), calmer in surface.
• Takeo Kakita — 300 gsm, smooth, warm white. A Japanese paper with a quieter surface.

All three are cotton, acid-free and pigment-printed; the choice is about feeling, not longevity. If you cannot decide, the Hahnemühle suits the colour botanicals and Kakita the monochromes. For printing on another paper, order on request or contact us. There is more on each in three papers.

Signed or unsigned

Both come with a numbered certificate of authenticity. A hand signature adds ¥4,000 and about a week. See how to read an edition number for what the signature and number record.

Start with the collection, or walk the gallery wall, where every print hangs at the size it is made.